This coming Friday sees me off on my travels for an exciting 7 days. The first few are dedicated to representing my partner Miki’s art at a Deep Purple exhibition in Cologne, Germany this weekend. She has 9 paintings on show, featuring many DP members, past and present, and artists from all over the world will be exhibiting. Miki will be busy working in Spain at the time so I’ll be seeing to her interests at the launch weekend.
In addition to the many paintings and sculptures, there will also be a collection of Roger Glover’s basses on display, plus signed items from Joe Satriani and Don Airey. Roger also has a number of his own artworks on display.
Opening night sees a Deep Purple tribute band – ‘Demon’s Eye’ performing too, so I’m looking forward to that, and also catching up with drummer Mark Cross (Scorpions, Firewind) on the opening night.
Roger Glover signs stuff for the exhibition
The Exhibition runs from April 14 to May 12 – if you’re in the area, be sure to check it out!
Not long ago, Witch Cross were approached by our Metal buddy Bart Gabriel over at Skol records to see if we’d be interested in contributing a song to a new tribute album to the glories of the New Wave of British Heavy Metal. Needless to say the answer was a resounding “Hell yeah!”
The choice of song was a no-brainer for us. In our live show, one of our encores is the SAXON classic “Strong Arm of the Law”. Luckily I was over from Spain at the right time and we got the track recorded, but there was no way I was going to miss the opportunity to have my long time friend Graham Oliver, Saxon axe-wielder extraordinaire on the track!
I drove up to Graham’s place in Yorkshire while I was in the UK and we headed up to Beat Street Studios in Leeds to record his parts. He’s the genuine article, the real deal, and his playing brought the song alive.
Graham working his Metal Magic
We’re really proud of our contribution to this fantastic project and can’t wait to hear what the other bands have done. Besides Witch Cross featuring Graham Oliver, it contains NWOBHM covers from Cauldron, Crystal Viper, Enforcer, Gatekeeper, Helvetets Port, Hitten, Ironflame, Martyr, Savage Master, Substratum, Twisted Tower and Dire. The album will be out later this year – stay tuned! Big thanks to my mate Jase Brooks at Beat Street for fitting in with our tight recording deadline!
L-R Kev Moore, Graham Oliver, Jase Brooks, Oliver Sekunda
I have been notably remiss in posting on here of late. No, scratch that – I’ve been bloody useless. In my defence, it’s been a time of turmoil, change and soul-searching, but it’s no excuse, not really. I am a creator, and I need to share that creativity with the wider world, whether the reaction be good, bad, or indifferent. I suppose it’s driven by that old philosophical adage: “If a tree falls in a forest, and no one is around to hear it, does it make a sound?“
Anyway, I may revisit some of the things I’ve been up to in the intervening couple of years, but for now, I want to share this with you.
In recent months, I’ve been doing some co-writing with an old friend, Steve Bonham. (Our connection goes back so far we’re into counting half-decades!) We last wrote a song together when we were about fifteen, so, as Steve likes to joke, we’re not what you’d call a prolific writing partnership.
Nevertheless, when he approached me to become a part of The Long Road, we began exchanging ideas.
We recorded over thirty songs at Woodworm Studios in Oxfordshire with Stuart Wood for a huge Anglo-Americana project, about half a dozen of which are co-writes between me and Steve. Woodworm is a studio steeped in history. Once owned by Dave Pegg, it has heard the talents of Fairport Convention and Jethro Tull among others, and the ghosts of their songs move through the walls.
One of the songs we wrote was ‘The Girl with the Rattlesnake Heart’ and it’s a song that had some interesting beginnings. I wrote the music back in 2010, in the shadow of the Stevie Ray Vaughn statue in Austin, Texas. I’d been watching a squirrel playing in the trees and had the fanciful notion that it was a blues aficionado, influenced by SRV. I named him Nutz McGee.
Me and SRV…..
It was a frivolous lyric, and needless to say, it didn’t make it onto my ‘Blue Odyssey’ album of the same year. But I always kept coming back to the music, knowing I could use it some day.
When Steve approached me to see if I had any ideas this one came to mind. “I’ve got a song about a blues squirrel,” I said, straight-faced. When he’d stopped laughing, he gave it a listen. He came up with a fabulously evocative lyric that dovetailed perfectly with the mood of the music, and ‘The Girl with the Rattlesnake Heart’ was born.
I remember the recording session for the song. I was like some kind of long-haired Basil Fawlty, running up and down the studio stairs like a lunatic, recording drums, then bass, then guitar, then backing vocals! I like the juxtaposition of the two guitar solos, mine, then John Humphreys slide solo, a nice contrast. The minimalist low bass note on the piano from Chris Lydon harks back to my Blue Odyssey album. When I’d visited Sun Studios in Memphis, I’d learned that Johnny Cash used to do this to add gravitas to a track. I think it sounds great on this.
A couple of weeks ago, the band came out to Andalucia, and we filmed a trilogy of videos for the project. Here is the first of them. ‘The Girl with the Rattlesnake Heart’
A lot of travelling, and a nightmare to get to my hotel in Berlin after flying in from Madrid on the Friday evening…but hooked up with guitarist Mike Koch the next morning, and we drove down to meet up with the rest of the band in Crispendorf, in the heart of the Thuringen countryside. The setting for the inaugural CHAOS DESCENDS festival was an old East German holiday camp, weird, spooky, and complete with a miniature train, it was absolutely perfect!
Well attended and with an eclectic line-up that ranged from doom, death and black metal through Sabbath/Prog inspired U.S. metallers Danava, and the innovative and hypnotic Swans, there was even room for good old-fashioned early 80’s Danish Metal!
The crowd were amazing to us, singing along to the songs from ‘Fit for Fight’, and we are starting to notice that they are becoming familiar with the newer stuff from ‘Axe to Grind’ too, which is particularly satisfying.
I’ll be doing a follow-up piece on the festival with more pics soon.
Our next shows see us in Denmark and Sweden in September, and we now start to coalesce ideas for the third album.
Got a show coming up with my local band, THE COPS, playing with an old Castillo as a backdrop, down the coast from where I live, in San Juan de los Terreros, on Thursday night. Let’s hope we can deliver some “Spanish Castle Magic”!
Then, on Friday, it’s time to drive to Madrid to catch a plane to Berlin and meet up with my Metal collegaues in WITCH CROSS! Really excited to be playing the CHAOS DESCENDS Festival this year! No rest when I return though, as I’ll be back with THE COPS again playing in the city of Lorca in Spain on Tuesday – the day after I fly back to Madrid.
Matlock, and its surrounding area, including Darley Dale and Matlock bath, in the heart of Derbyshire’s Peak District is somewhere dear to my heart and inextricably linked with both my Mum’s and Dad’s side of the family, all of them hailing from there. The Grand Pavilion, a Georgian building that stands imperiously by the river side deep in the gorge where Matlock Bath sits, has long been a focal point for entertainment. In the post-war years, my Dad well remembers attending concerts and watching Dance bands there. In the 1980’s, I performed there myself with my band Tubeless Hearts.
Matlock Bath Pavilion
So it really piqued my interest when my Dad mentioned that it had been at considerable risk of demolition in recent years, and was now in the hands of a trust committed to saving this historic building. I’d been canvassing around to fill out dates for my visit from Spain in June, when, with our new project Straight Shooters, we’ll be making a special appearance at the Quad in Derby, and also in Burton -on-Trent, but more about those shows in another post.
After connecting with Andie Brazewell at The Pavilion, we now have a date in place for Straight Shooters – Friday June 6th – we’re hoping everyone will come along and support the event – priced at just £5 a ticket, and help fund the restoration of this beautiful venue.
You’ll be in for a night of classic British 70’s rock, courtesy of the music of Free and Bad Company!
I’ve been so busy since I got back from Holland, that I’ve only now got around to writing about our appearance there. Witch Cross have always had a loyal fan base in The Netherlands, and once again, they didn’t disappoint. I flew in from Alicante to Amsterdam Schiphol and waited there for Mike. We then made our way North to the town of Stadtkanaal, where our promoter and friend Hugo Koch was staging the Very ‘Eavy Festival.
Pre-gig Breakfast with The Boys
There was a fantastic array of Metal on display over the two days, including UK newcomers TOLEDO STEEL, who delivered a confident, vibrant set, and my mates PICTURE, legendary Dutch band who I’d caught at Leyendas del Rock here in Alicante last summer. this was their last show before embarking on a South American tour.
Closing the show were NWOBHM legends TYGERS OF PAN TANG. I spent some time chatting to guitarist Rob Weir who confided in me that this is perhaps the best line-up of the band he’s ever had, and I have to say, they really delivered. they’re doing a number of festivals throughout Europe this summer – catch them if you can.
Our Merch stand
For our part, I never fail to be moved by the reception the fans give us. they know every word of every song, even the ones from the new album, and that is very heartening for us as we move forward as a band. Of course, the classic cuts from the ‘Fit for Fight’ album always go down a storm.
Thank you and Goodnight!
This year marks the 30th. anniversary of its release, and we’ll be looking at commemorating that in some form.
Take a look at these Videos filmed on the night, and get a flavour of Very ‘Eavy! Thanks to Hugo, the team and our fellow bands for making it so memorable!
2014 Has been fairly quiet for Witch Cross so far, but there’s been a lot going on behind the scenes. As you may have read HERE, we are honoured to have our version of Angel Witch’s eponymous song on the newly released KEEP IT TRUE album, and we also have another tribute track in the works. our studio is currently undergoing a big refurbishment, and later this year we’ll resume work and the large number of demos guitarist Mike Koch and I already have written as a basis for the third album.
But more immediately, in just under three weeks, we’ll be hitting the road again and convening in Stadtskanaal, Holland to play once again for our amazing Dutch fans at the Very ‘Eavy Festival, which features a host of great bands such as NWOBHM legends Tygers of Pan Tang and Dutch metal band Picture, who I met up with last year at Leyendas del Rock near Alicante.
Tygers of Pan Tang
Picture
Here’s a fun video promo for the festival:
Come along and bang your heads with us as we play songs from the classic ‘Fit for Fight’ and its follow-up ‘Axe to Grind’!
I was recently invited to perform at the opening of a Museum exhibition. Now, having been in the Music business professionally for nearly 35 years, this might be something I could take offence at! But, this is no ordinary exhibition. It is The Rams Collection. Curated by Andy Ellis, author of several Derby County books and a lifelong Rams fan, it is an extraordinary hoard of Derby County Football Club memorabilia that reaches back into the 19th. Century and takes your breath away, particularly, if, like me, you have supported The Rams all your life. Collections like this are fascinating. It is not always the ‘grand pieces’ that draw the gasps, it can be the discarded golden goal ticket, one of so many thousands that lay strewn across the terraces following a match. It evokes a memory, a passion from the past, perhaps something that provokes conversation between Father and Son, as the younger generation finally gain an insight into what it was like to support the club in yesteryear. During discussions about this exhibition which I sat in on with Andy and Peter Bonnell, Curator of The Quad, I saw some amazing stuff! -But i won’t spoil the surprise, come along to opening night and see for yourselves!
It was C. V. Wedgwood who said: ‘Without passion there might be no errors, but without passion there would certainly be no history‘. – Well, there’s no passion like that of a football fan, and DCFC’s history will be on display at The QUAD, Derby for all to see for 3 months during the summer. I’ll be taking a small band to open the exhibition performing tracks from my DCFC CD“Fan Fayre for the Commons People” live for the first time, comprising Mike Koch my musical cohort from B.C.Sweet and Witch Cross on guitar, my lifelong mate Stef Cybichowski (After the Fire, and soon to be BCS!) on Drums and special guest Tom Leary (Lindisfarne/feast of Fiddles/Clem Clempson) on fiddle. Derby County Club Captain Shaun Barker will be doing a DJ set to follow.
Tom Leary
For our part, while I’m over from Spain, we’re hoping to turn it into a fun little ‘micro-tour’. – On Saturday June 7th, Me, Mike and Stef under the name of ‘Straight Shooters’ will be performing an exclusive set of Bad Company and Free numbers at the Uxbridge Arms in nearby Burton -on – Trent, and we’re looking at a venue to host us on the Friday night too. to complete a hat-trick, if you will!
(Born: 20th May,1958, Chesterfield, England) is a Bass Player and Lead Vocalist. Formerly with Tubeless Hearts, he played with English Pop band Christie from 1990 to 2003, and featured in Graham Oliver’s Saxon on two European tours, before other commitments resulted in John Ward taking over vocal duties for the resulting Oliver/Dawson Saxon CD releases. Nevertheless, he appeared on Graham Oliver’s solo album End of an Era returning the favour after Oliver had appeared on Tubeless Hearts Three CD. READ MORE….