Last weekend saw another jaunt Northwards and an appearance at The Diamond in Sutton-in-Ashfield for Bootleg Counterfeit Sweet. The Diamond is an unassuming venue, yet one steeped in music history, some of the great rock bands of the last few decades have trodden its well-worn boards. We rattled off the Sweet canon in fine style, energized by our fans, some of whom had travelled from as far afield as Jersey for the gig. The people who put this kind of commitment, effort and expenditure into supporting what we do are the lifeblood of any band, and we salute them!
Playing a venue so close to my hometown also gave me a chance to catch up with family too, so that was cool.
2014 will see B.C.Sweet step up its on the road activities – see you further on up the road!
Just back from a whirlwind visit to the UK to play with B.C. (Bootleg Counterfeit) Sweet. It’s always a blast playing with the guys, and a privilege to play the amazing Chinn/Chapman catalogue that propelled The Sweet to stardom. Our band has a long and chequered, and frankly troubled history, formed out of the ashes of the late Brian Connolly’s Sweet, continuing for a decade or more as B.C. Sweet with ongoing member changes until we were forced to change the name somewhat due to various external pressures. Well, from my perspective, it doesn’t matter what it says on the tin, this band kicks major ass, and you won’t hear a more in-your-face rendition of the Sweet catalogue.
The crowd at the annual Yesterday Once More festival at Brean were phenomenal as usual, wonderfully appreciative and a pleasure to play for.
Expect to hear more from us in 2014!
As Mother’s Finest’s kick-starter campaign to enlist their fanbase in being a part of their first new album for 10 years heads into its final week, I thought it a good opportunity to tale a look back at their 2003 release ‘Meta-Funk’n-Physical’..
I remember the first time I listened to this track. I was anxious to get it home and put it on the player. ‘Funk-a-Wild‘ promises much and delivers even more. An insidious synth sequence starts a stealth-like groove, lulling you into a false sense of security before the riff hits you, dripping with the funk, the staccato bass…Baby Jean’s wonderfully provocative lyrics draw you in and suddenly you’re into the killer chorus. Your head’s banging, your foot’s tapping, and you’re still only on track one. Oh yeah, this is gonna get Meta-funk’n physical!
On ‘Bring it’ Mother’s Finest display their innate ability to throw damn near everything in the cooking pot and make it taste good….rapping over Moses Mo’s almost eastern trippy guitar lines, Glenn Murdock and Joyce Kennedy lead us into a growling hard rock chorus, and it all fits like a glove.
I involuntarily break into a smile when I hear Wyzzard’s wicked popping bass syncopated with Moses’ sledgehammer chops underpinning Baby Jean’s chorus on ‘I Believe’. These guys make the groove sound effortless…and in reality it is. Because you cannot learn the groove. You got it, or you ain’t. And Mother’s Finest OWN the groove.
The rest of the album is just as eclectic – beautifully performed ballads such as ‘Don’t take your love’, the quirky funk of ‘What happens when we die?’ and the inspired guest-laden take of Hendrix’s ‘If 6 were 9’.
‘Flat on my back’ drifts lazily into the detuned stomp of ‘The N-Groove’ a 21st century re-boot of their very own back catalogue, reinventing ‘Like a Negro’ and ‘Niggiz cant sang Rock’n’Roll’.
The final two tracks on the album illustrate Mother’s Finest’s joyous schizophrenia perfectly. ‘Set me Free’, a beautifully rendered classic ballad showcasing Joyce Kennedy’s excellent vocal, followed by ‘Hard time’, a soliloquy that she delivers in spoken word over a slick syncopated groove, dropping in and out of gospel influenced chorus with ease, then punching you in the face with a full-on rock guitar solo. They do that a lot, Mother’s Finest. They Surprise you. Because they can.
Donate to their Kickstarter campaign. I have, because, 10 years on, I wanna get surprised all over again.
To Donate, Click on the Image below:
Mother’s Finest, the legendary funk rock band from Atlanta Georgia, are asking YOU to participate in their bid to fund their first new album in 10 years. Visit their KICKSTARTER page to get involved!
Today, their guitarist Moses Mo released a video, detailing a brand new perk added to the bidding menu – the one-of-a-kind Mother’s Finest ‘shield’ guitar, built by Jordan guitars! Check out Moses’ video below and head over to the KICKSTARTER site to make your pledge.
BE PART OF FUNKIN’ HISTORY!