Dublin 3 – Scorpions over the River Liffey – Michael Schenker live

During our visit to Dublin, I was hoping to catch a gig or two, and as luck would have it, we dropped on a beauty: Michael Schenker on something of a comeback trail, 20-odd gigs in to a long tour, playing at the Vicar Street venue, confusingly located on Thomas Street (go figure!)  I’d long been a fan of the troubled German’s melodic style and distinctive tone that he could wring effortlessly out of his Flying V. ‘Force It’ by UFO was, and is, one of my favourite 70’s rock albums. These days he plays a selection (4 in all) of Dean ‘V’ guitars. But the guy’s still got it. Tonight was interesting for one very special reason. Several weeks ago, never having seen or heard Michael Schenker, my  partner, the French artist Miki, had chosen him as a subject for one of her successful series of musician paintings. We had no idea he would be appearing in Dublin when we booked the trip, and as he walked out on stage and stood in front of her, she remarked how touching it was to actually see him in real life, never dreaming it would happen as she’d painted him. You can see her painting below, with a link to her site if you click on the image.

Michael Schenker by Miki

A bonus for those of us in attendance tonight is the inclusion of two ex-Scorpions: Herman (The German) Rarebell on drums and the perennially smiling Francis Bucholz, playing a rather tasty top-of-the-range Warwick bass with a plectrum, and producing perhaps one of the bass live bass sounds I’ve heard in a long time. The line up was completed by Wayne Findlay, a great addition to any band with 2nd guitar/keys/vocal skills, and upfront Doogie White, delivering the Lead vocal with an almost pantomime flair. He shone particularly on the Phil Mogg tracks. What was striking was how the band seemed to be really enjoying this gig, nods and smiles all round throughout the set, which proved infectious to the watching Dublin audience.

A triple whammy of “Lovedrive”, “Another piece of meat” and “Assault attack” pretty much had everybody hooked from the off, as we were treated through a journey through classic Scorpion tracks such as “Holiday”, “Rock you like a Hurricane”, to UFO’s “Lights Out” “Doctor Doctor” and “Shoot shoot”, truly justifying the “bit of a mouthful” billing as: The Temple of Rock Lovedrive Reunion tour.

It was great to see Schenker on top of his game again, and looking like he was enjoying himself. I think there is a lot more to come from the Mad Axeman, including a new album from this line up in the Summer.

Kev Moore

The Writing Process…..working on a follow-up to Witch Cross’ 1984 release ‘Fit for Fight’

..we don’t really write it down like this…I don’t even think Mozart wrote ‘Freewheel Burning’ this way….

People often ask me ‘how do you start to write a song?’ Well, there is no one answer.  I’ve written alone for many years, sometimes starting with merely a title, sometimes a few chords, or a melody, even just a sound can set me off on a path that results in a complete song.

When you start factoring in a writing partner, you are often running a risk.  I’ve written with someone else before – Adrian Foster from Tubeless Hearts – and we had a good working relationship. Now, I’m working with Mike Koch, as we put together a hopefully fitting follow up to Witch Cross‘ cult Metal classic ‘Fit for Fight‘.

What made that release so great in my opinion, was the immediacy, the sheer strength, of the songs. That is what we’re faced with emulating if we can.

With the advent of the internet, ‘remotely writing’ has become much easier, and Mike and I have developed a great ‘ping-pong’ style of writing as we bounce the song back and forth across cyberspace, changing and moulding it along the way, until we arrive at a concise demo that we’re both happy with. It’s a great system, because we’re both very honest with each other, keeping true to the genre and style of the band, and recognizing that whatever we do, it has to be for the good of the song.

The band was initially born of the late 70’s/early 80’s ‘New Wave of Heavy Metal’, and while  we are planning to use all that modern production can offer, we are taking care to make sure it remains faithful to that era.  This involves a discipline, because in effect we’re writing in a different time, and you have to put aside influences that may have crossed your path along the way.  I’m enjoying writing this way, because it is very different to how I’ve written songs before. My songwriting is often eclectic – my last solo album encompassed a huge number of styles across 18 songs, and I’ve also written songs in different styles to complement articles on my radio show, but that is not what is called for here. What we’re doing is tapping into the vibe that existed when bands like Saxon, Judas Priest and Iron Maiden first came onto the scene. With that in mind, it was great when, as we toured with Swiss band Gotthard recently, their guitarist Leo commented that Mike and Paul’s guitars in Witch Cross had that ‘Saxon‘ quality – occupying different places in the sound spectrum, but complementing each other perfectly, just like Graham Oliver’s and Paul Quinn’s did on their classic hits.

I think we’re on the right track!  The most important thing, at least from a songwriter’s perspective, is that we’re not drying up, the ideas are coming thick and fast! So roll on 2013, when we’ll unleash the new Witch Cross album on the world, almost 30 years after its predecessor – it’s been a long time comin’!

Kev Moore